Movie

ShowMeLove's picture

Fried Green Tomatoes

I was just watching the movie Fried Green Tomatoes with my mom. It's one of my favourite movies. I love it:) I pretty much always have. I remember when I watched it with my parents when I was younger and thinking that there was something special about it and that I really liked that Idgie....probably because she reminded me of myself quite a bit.

msquared's picture

Everyone needs to watch this.

Milk: Movie Review

By Jeff Walsh

"Milk," the new Gus Van Sant movie, tracks the modern gay rights movement from its birth responding to police raids on gay bars in the late 1960s, through the sexual revolution of the 70s, until the assassination of the first openly gay elected official, San Francisco Supervisor Harvey Milk, in 1978.

Living in San Francisco, the aura of Harvey Milk hasn't diminished. Looking up on Castro Street, near his camera shop, a fake window is painted with Harvey Milk leaning out and smiling. The portrait reminds us how far we've come, the price people paid for the freedoms we now enjoy and take for granted, and whether we're on the right path for our future. A rainbow flag flies a block away at Harvey Milk Plaza. In our City Hall, a bronze bust of Harvey Milk was added this year, on the 30th anniversary of his death.

So, Harvey Milk is an icon as well as a constant presence. I was 10 years old when he was killed, but over the years, I've developed a mental image of Harvey and I was hesitant to have this long-planned movie possibly ruin it. I needn't have worried.

"Milk" captures so much of what I find iconic about Milk, but also makes him more human and accessible at the same time. Closeted until he was 40, Milk moved to San Francisco, grew out his beard and became part of the counterculture and gay community. He opened a camera shop on Castro Street as the area was shifting from its Irish-Catholic roots to the gayborhood that (largely) still exists today.

Were The World Mine: Movie Review

By Jeff Walsh

"Were the World Mine" is the perfect wish fulfillment movie musical for gay youth once the only openly gay student at a homophobic all-boys school finds a magic potion that makes people fall in love with the first same-sex person they see. Hello there, straight crush…

The film, which opens in San Francisco, Berkeley and New York City this week (see the online schedule for future cities), is a joyous, heartwarming romp inspired by Shakespeare's A Midsummer Night's Dream.

In the movie, Timothy (Tanner Cohen) is the classic gay outcast: picked on at gym, bullied in the locker room, with a crush on an athlete that he knows will go unfulfilled. He's out to his mother, and has supportive friends, but that doesn't make him feel less alone.

The school is putting on the Shakespeare play, and Timothy is cast as Puck. He has musical, choreographed daydreams starring the same boys who pick on him. Things really get going when, inspired by the play, Timothy follows a recipe for Cupid's love potion that appears within the pages of his script and a purple flower from his dream follows him back to the real world. He quickly discovers that anyone sprayed by the flower falls in love with the first person of the same sex they see.

Were The World Mine: Cast/Director Interview

By Jeff Walsh

I recently got the chance to sit down with actors Tanner Cohen (Timothy) and Zelda Williams (Frankie) and director Tom Gustafson from the new gay youth indie Shakespeare musical, Were The World Mine. The three were in San Francisco promoting the film in advance of its release in the San Francisco Bay Area and New York City this week (see my review here).

We had a pretty fun discussion that touched on everything from the origin of the film, Cohen's reticence to label himself, trying to sing outdoors without inhaling insects, and we finished up talking about Zelda's famous dad, Robin Williams.

Here's what we said:

Tru Loved: Movie Review

By Jeff Walsh

"Tru Loved" is a new gay youth movie that suffers from existing in the world of obvious expectations. It's nothing new, though. When a young, idealistic teacher joins the staff of a rough school with hard-to-reach kids… or a romantic comedy has two leads who begin the movie hating each other… you sort of know what's going to happen. So, when a young high school athlete enlists other people to defend his closet… well, it would be unexpected for the same character to be closeted by the time the end credits roll.

This movie got a lot of unexpected publicity when Roger Ebert gave it a negative review, only to mention at the end of his piece that he stopped watching it after only 8 minutes. This revelation led to a heated discussion on his website. I do have to say that Ebert did make a lot of incorrect assumptions based on what happens in the first eight minutes, but he had no way of knowing that the film would do things in its beginnings that wouldn't continue throughout. There is a dream sequence of the gayest high school ever, followed by a black and white 50s sitcom version of family life, both of which might lead you to believe there was going to be a lot of similar scenes inserted throughout. But Ebert didn't stick around to realize that the rapid succession of these things in the beginning wouldn't be consistent or followed up for the rest of the movie.

msquared's picture

Musings

Band camp. Deeeeeath. There was a heat index of 118 today, and I was lucky enough to be marching for 7 hours out in it. Band is pretty ridiculous, and I fail to learn just about anything from it anymore, but I'm sticking around just to finish it out in my high school career. Pffft, I'm such a tool.

Almost Infamous: Kinsey Sicks Movie Review

By Jeff Walsh

"Almost Infamous" is the new documentary about The Kinsey Sicks from the same people that brought us the amazingly well-shot and entertaining "I Wanna Be A Republican" live concert. The movie recently had its world premiere at the 32nd annual San Francisco International LGBT Film Festival.

It's really two movies in one. The first half sets up the history and back stories of the group and its current and former members, whereas the second half is where it becomes the drag queen equivalent of Metallica's "Some Kind of Monster," where we see the group dealing with the strain of being a touring group about to have their own show in Las Vegas.

I've been a fan of the group for years, so seeing their history was more of a flashback for me than an educational experience. The only San Francisco show I didn't see was their first time singing publicly at Harvey Milk Plaza in the Castro (and, stupidly, the shows they shot for the first movie). But the documentary team got to dig in deep and really introduce us to the boys behind the Kinseys. We get to meet their families, and see how Irwin Keller's mother is the inspiration for Winnie, learn that Ben Schatz (as the lawyer who drafted Clinton's AIDS policies) gave Bill a copy of their first Dragapella CD the night before he was impeached giving him a good laugh during a serious time, and how Chris Dilley and Jeff Manabat had to fill the heels of the members who came before them.

SeLever's picture

Sebastiane

05/27/2008

I recently saw a movie by the late Derek Jarman of the title, "Sebastiane."

Before Derek Jarman had died, he was found to be HIV-positive. He was open about homosexuality. He once regarded the British film industry as containing "hardly any room for us to kiss."

Pratibha Parmar: Interview

By Jeff Walsh

Pratibha Parmar is the writer, producer, and director the lesbian romantic comedy "Nina's Heavenly Delights," a fun story about food, family, and culture that opens in San Francisco this week and in other major U.S. cities throughout the year. Parmar was in San Francisco this week to promote the movie, as well as work on her next project involving The Color Purple author Alice Walker, so we had a chance to sit down in a café near the Bay Bridge for a chat the other day. We talked about the film, being vegan (she told me "there are meat dishes in the film just to appeal to a broad audience"), the Color Purple, and gay marriage. My review of her movie is here; the interview went as follows:

Eternal Summer: DVD Review

By Jeff Walsh

Eternal Summer is a Taiwanese film that explores the friendship of straight-laced Jonathan and the more rebellious Shane. They are first paired off by a teacher in grade school, with the hope that Jonathan will serve as a good influence. Ten years later, that pairing is still in effect as the two near the end of their high school years.

Everything changes when Carrie, a new girl in school, appears and goes after Jonathan. He doesn't return her romantic feelings, and we start to realize we are in what is very familiar territory on this site: the straight crush. Rebuffed, Carrie ends up going after Shane instead, which only intensifies Jonathan's longing and clarifies Shane's feelings for Jonathan. Are they shared? Will it work out? Can't say.

What I can say is that the movie really takes time to breathe and build big drama out of small moments. Motorcycle rides with Jonathan holding onto Shane don't advance the plot all that much, but we all have some idea how much they mean to Jonathan.

The Life of Reilly: Movie Review

By Jeff Walsh

The Life of Reilly is a new film based on, well, the life of Charles Nelson Reilly, who is largely known for his voluminous game show appearances in the 1970s although he did have prior success as Broadway performer and television actor.

I was fortunate enough to see Reilly perform this show, then called "Save It For The Stage," in San Francisco. It was one of those shows where it probably went more than two hours, but if it hit four you'd never even look at your watch. He was an engaging performer working off a rich life with a loose script and clearly in his element. The show was also the first time Reilly ever publicly discussed his not-so-secret-but-never-confirmed homosexuality.

The film actually captures Reilly last performance of "Save It For The Stage," and the last time he appeared onstage before his death this past May. The film is a bit uneven, though.

Cut Sleeve Boys: Movie Review

By Jeff Walsh

Cut Sleeve Boys, which bills itself as the first gay British Chinese movie, is about two friends forced to look at their own lives as they grow older in the gay community after attending the funeral of a friend. Their friend had remained in the closet for his entire life, and his funeral doesn't represent the life of the friend they knew.

Mel is still hitting the clubs, but isn't as ready to settle down as his boyfriend Todd. He seems to fear the confinement of a relationship, but the alternative is to dwell in a world where who's hot changes as much as the fashionable clothes he wears.

Ash is very camp, but clear about his intentions. He wants a husband. After running into an old friend who is now a transgender with a hot boyfriend, he decides to turn to his old drag outfits and find a tranny chaser for himself.

The movie, which opens in San Francisco and Berkeley this Friday (and comes out on DVD on November 13), asks interesting questions, but the motivations behind most if not all of the characters is a bit murky.

utter_insanity's picture

Yay, hair gel! I look all butch now! :D (A collection of random thoughts)

I was talking about what I should do with my hair today while I was in the car with my uncle, my sister, and my brother. (We were going to see Spider-Man 3. But more on that later.) My uncle stopped by Target on the way to the movie, and he bought me some hair gel!

Loving Annabelle: DVD Review

by StateOfTheOnion

I'll admit it; the only real reason I wanted to see Loving Annabelle, a film focusing on the taboo relationship between a teacher and a student, was for the high hotness factor. Well, the film did deliver in the hotness capacity, but it delivered in so many other ways as well. I was pleasantly surprised to find this film well constructed and, for the most part, very believable.

Annabelle, played by the talented Erin Kelly, is the daughter of an absentee-mother-type who is also a Senator. When she begins attending a Catholic boarding school she quickly makes a lasting impression among the students and the staff.

Annabelle is rebellious, tempestuous, and unapologetic (hot). Ms. Simone Bradley, played by Diane Gaidry, is quite the opposite. She is closeted and very tempered. Despite their differences, the two fall in love with one another. The film explores their relationship but manages to do so without being too preachy in favor of either side of the teacher/student relationship debate.

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